The Hunt, BBC Natural History Unit’s latest animal extravaganza began on BBC1 Sunday night.
Like the wildlife he discusses, David Attenborough proves again he is master of his own skill – narration, building tension as carefully and cleverly as his subjects stalk prey. Despite yourself you discover you are soon rooting for the leopard and feel her frustration as an impala hunt ends in failure.
From larger mainland African predators to the island wildlife haven of Madagascar, focus shifts swiftly to chameleons as easily as these tiny reptiles’ eyes move in different directions but becomes no less absorbing. Attenborough is equally sympathetic to predator as he is to prey explaining the enormous odds they must overcome simply to sustain themselves and their young with food.
As wonderful as Attenborough is however, it’s the wildlife that are the real celebrities and so the skills of countless professionals behind the scenes who spend many months working to bring these stunning struggles into our front rooms. From a small spider in Madagascar spinning silk stronger than steel into a two-metre web, to a cheetah on the African plains: it all makes for riveting television.
Anyone who doubts the BBC’s relevance and importance as a public service terrestrial broadcaster in today’s turbulent digital landscape needs only watch this to be convinced otherwise. This is what the Corporation was designed to do and does better than its rivals.
Engaging, informative, entertaining, with unrivalled production values, it settles the license fee argument firmly in the BBC’s favour.